An introductory word from the Artist / 9 February 2015
I use subjects direct from nature, such as weather and compositions in observational studies. These are very much in response to a time and place, with a sense of personal experience, captured and held in time, as a memory.
In my larger studio works, I explore a more conceptual idea that comes from a combined sense of memory, emotion and perception.
These collective influences are less connected to a specific event and therefore ideas are explored through more abstract processes.