After having had a bleak first part of the year - as is well documented here - i now find myself flitting from one thing to another. I am pleased, really pleased. about this - but i know how fragile it all is in this current climate.
I am doing an Engage Everyone residency at DCA in Dundee. It's got a fab print room. I am looking at issues of engagement - why don't people access or engage with contemporary art. - people with disabilities that is. Another artist is looking at physical disabilities. Needless to say I am looking at the mental stuff.
In an attempt to normalise mental health I thought I would do a series of newspaper headlines from my fictional paper 'The Daily Compulsion'. Man puts left shoe on first. Very tame I know but it gives you an idea (if my right shoe goes on first I have to put them both on take them off then put them on properly with the left shoe first.) but I want more stories about significantly impairing, embedded etc.
I am looking for your input in the form of your stories about the things you do. Not just the C's from OCD but the rituals we have around the day to day or special. I will make you anonymous and immortalise you outside the DCA as a newspaper headline to a fictional paper. I am also thinking of making a book of them too. There are the - man checks front door is locked - normal stuff everyone does but which can be a behaviour of something else. If you would like to contribute please send to mailoto:firstname.lastname@example.org">email@example.com. It will be greatly appreciated.
It has been quite interesting getting people to look at things from a mental health point of view - i engage with spaces psychologically mostly - and then physically. I have already written on the nature of engagement with a space at http://engageeveryone.tumblr.com/
I return to DCA for another 2 weeks at the beginning of October. Meanwhile I am currently installing my solo show at The Art House, Wakefield which opens tomorrow - 28/9 and is part of the Wakefield art walk.
We live in difficult times. The National Portfolio funding came out – a few of the organisations we are all familiar with suffered. Arcadea – my local disability arts organisation didn’t get any funding at all. Geof Armstrong is at the helm and steering through the storm admirably.
How can the Arts Council claim to be promoting disability and disabled artists in the region (let alone nationally). How can it just ignore a whole cohort of artists, audience, producers etc in the North East? This decision leaves Manchester or Liverpool or Wakefield as my ‘locally’ funded organisations. But enough of that.
I was fortunate enough to meet Elinor Urwin from the Art House in Wakefield to go through some of my rejected applications. This was a brilliant – if not a bit difficult – use of an afternoon. There was so much material – so many rejections – to choose from. To have some simple pointers and some incisive analysis on my approach was invaluable. It is difficult to get feedback from applications, though I always try. Yet it is so contradictory. 'Too conceptual'; 'not conceptual enough'; 'too prescriptive'; 'not prescriptive enough'; 'too flaky'; 'too detailed'. How do you make sense of it? Well, having the objective eyes of Elinor reflect on this brought some clarity. So thank you Elinor – and congratulations to the Art House on their continued funding.
Why is it that artists (I have not always been an artist) have to say they are busy, or working on this or that. Why can’t they just say "it’s really REALLY hard out there and I’m struggling." I know why. You have to boost your own stock. No one wants an artist who isn’t busy etc etc. So I am blessed with all this time and cursed by the low moods of under employment. The irony is that I have a few exhibitions on and coming up – which is fab – but jam for tomorrow doesn’t put food on the table today.
I have just installed ‘Do you think we can talk about this?’ - a solo exhibition at the Centre For Life in Newcastle, which opens next weekend – the 16 April. It is a collection of pieces which reflect on my personal experience of diagnosis 'Bipolar Disorder.' and weaving in elements of the personal and cultural agenda surrounding mental health.
It runs for a couple of months. Can we talk about mental health? At once we are fascinated by those perceived as kooky, off beat, crazy and then we tire of them and vilify them and perpetuate the stereotypical images and viewpoints of those living with an enduring mental health condition. I hope we can talk about it. I hope we can get a right good open honest discussion going.
As ever, I have left it to the last minute, I want to first post before the year is out. Whilst I like to think of time more in terms of a continuum I can’t help but be lulled into some re-appraising of the year and thinking of the coming months. Sometimes it’s good to draw a line under something and lay it to rest, though I am not sure about this stop-start of a New Year thing.
As Brecht said ‘However, they won’t say the times were dark. Rather, why were their poets silent?’ These are dark times and getting darker – particularly in the worlds of disability and arts. There is little meat, let alone fat, on the bones to trim and – let’s cut the metaphors - seemingly more applicants for fewer opportunities.
As I ‘emerge’ and move towards ‘mid-career’ (these amorphous distinctions bemuse me) I think about career development. This leads to me a host of things which I will no doubt discuss in future posts. For instance where does the disability arts movement of today fit into the same movement that started out as a much more socially engaged movement?
From where I am sat they appear to be totally separate agendas now. What is disability arts now? Where do I fit into it all? How do I develop a career as a professional artist? Is there room for any more disabled artists? Does disability arts have ‘ranks’ to come through? If so how do you come through them?
As a socially engaged artist I am committed to inclusion in my work and strive to work within an milieu of equality. Sometimes I don’t always feel an equal within social or professional hierarchies be that the mainstream or the disability arts world. I find this contradiction interesting, disappointing and annoying. Sadly, I know I am not alone in this.
Living in the North East of England disability arts has been poorly served recently, thankfully Arcadea has a new Director and some fire being breathed into its’ slumbering belly. I look around the country for opportunities and see the work that Shape, DaDa, Dash et al. are doing.
I lament at times geographical restrictions/limitations of applications. Should I be more creative with my living arrangements? Unfortunately it has gotten so that I barely work or exhibit in my home region and I am grateful to opportunities such as Outside In at Pallant House for showing me in the Biennial of Outsider Art or the curators of the 40th Anniversary of the Disability Act exhibition for inviting me to show at the Houses of Parliament.
2011 is looming. It is likely to bring many challenges – cutting DLA, New Horizons, Arts Council cuts, the southern drain of lottery money in the run up to 2012, keeping food on the table. Thankfully I have woken from my own slumber, I am awake, inquisitive, re-politicised and ready to explore, engage and create an uncertain future in these uncertain times.